Coming Exhibitions & Activities in 2026

2026 展覽與活動

2026
March

25

|

29

Art Central

2026 Art Central

初春到來,當代藝術家黃柏勳再次參加一年一度的Art Central藝術博覽會。
今年除了承襲過去豐富的風格,也帶來了全新風格作品,以冰藍寂靜的面貌,迎向下一個創作階段。歡迎展期內在香港的朋友,一起來參觀欣賞。

Information 展覽訊息

Exhibition Period: 2026/03/25 – 03/29
Venue: Central Harbourfront, Hong Kong
Booth: B27
Gallery: A Gallery HK
@agalleryasia   @artcentralhk

展期:2026/03/25 – 03/39
地點:香港中環海濱
展位:B27
畫廊:A Gallery HK @agalleryasia   @artcentralhk
2026
January

06

|

24

【他方。冬陽】 黃柏勳 2026 個展
"Winter Sunshine Elsewhere" - Huang, Po-Hsun's Solo Exhibition in 2026

Pohsun Huang Solo exhibition in 2026

在輕柔且遲緩的冬陽之中,世界被賦予一種「未完成的明亮」。 既不同於盛夏炙陽那般耀眼,亦不似春日般帶來預兆;它以一種近乎克制的節奏,悄悄地鋪陳在世上一切物的表面,使其獲得一種既微弱卻又堅定的光亮。

黃柏勳以「冬陽」作為時間的隱喻、揭示觀看的視角,也作為通往「他方」的指引。


展覽專文

光:通往他方的縫隙 - 談黃柏勳《他方.冬陽》近作
文/策展人 林宏信

在輕柔且遲緩的冬陽之中,世界被賦予一種「未完成的明亮」...
— 摘自策展評述

展覽訊息

  • 策展人:林宏信
  • 展期 : 2026/01/06~24
  • 開幕茶會:2026/01/10 15:00
  • 地址 : 雷相畫廊,台北市內湖區瑞光路618號7樓之一
  • 時間 : 13:00~19:00 (每週日、一休館,免費參觀)
異常豐富的瑰麗時空 Extraordinarily rich and magnificent time and space

Extraordinarily rich and magnificent time and space

異常豐富的瑰麗時空


The main idea of my works is "Abundant yet lonely". I have been trying to clarify the reality from my illusion through the materials I use to create.

I had two main ways to express my idea. One was using the unique texture of acrylic painting to distinguish itself from other painting materials and to find other possible ways of painting of acrylic. The other one was considering the changes of figures when I stepped into a virtual space from the real visual world. The former one means the research of materials and the later one means reconstructions of daily images. I have been using acrylic as painting material for a long time. I can do my best to paint acrylic as a shiny membrane when it was dried. I have intentionally painted the elements of my paintings shiny, flat, and even with the reflection of complementary colors to show the differences from oil painting. That is why you can always find smooth and gradient textures like you saw in 3D digital paintings in my pieces. I have controlled the shade and the brightness of every lamination to create fantastic sheen.

以簡單的一句話來概括我的創作核心,就是「既豐富又寂寞」。這是一直以來透過媒材的特質,關於釐清現實與虛擬幻覺之間的創作思考。

創作重心主要包括兩大方向:一方面藉由壓克力顏料的質感,表現它有別於其他創作媒材的獨特性質,探索其表現性與各種可能;另方面思索當創作者進入一個源自現實,卻有別於現實的虛擬時空所形成的各種陌生圖像。前者涉及物質質地的開拓與擴張;後者涉及拆解、重組、混搭、拼貼和擬造各種不定型形象。這兩個重心都指向創作者關注與環繞的生活範圍。


   Artworks   


Graphic Artworks

平面作品

Sculptures

立體作品

Crossover

專案與跨界


Selected Exhibitions

歷代精選展覽

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